Papa, Pass the Pullman

How many children read the dazzlingly inventive adventures of Artemis Fowl, boy genius and criminal mastermind? How many venture into the incredibly complex, richly textured parallel universes of Philip Pullman’s Dark Materials trilogy? Do tweenies and teenagers really dip in, of their own accord, into the time travels of Jonathon Stroud’s infamous djinn Bartimaeus?

Certainly not as many as the multiple displays in the Children’s Sections of many bookstores would have us believe. Armed with a basketful of questions based on these bookshelves, at a recent children’s literature quiz, I was greeted by staggering silences on these bestsellers. And yet the same kids were competently conversant with Shakespeare and Sherlock Holmes, with Janus and Jules Verne.

So why are these titles all over children’s sections? Why isn’t Pullman, like HG Wells’ ‘War of the Worlds’, tucked into the crowded recesses of adult science fiction and fantasy? Perhaps it’s because booksellers, like movie makers have discovered the secret of wholesome family fare. If ‘Shark Tales’ with its Robert de Niro and Martin Scorcese voiceovers can net in entire families, books targeted at teenagers and yet complex enough to hold their parents attention are sure volume winners. Spawning a separate category called ‘crossover’. It’s a category that’s largely publisher created and it features a lot of complex fantasy like Pullman , Stroud and Ursula Le Guin. Also other intricately nuanced books like Mark Haddon’s ‘The Curious Incident of the Dog in the Night time ‘ , a story of an autistic child which makes the grade because of it’s simple language and it’s child protagonist. But really a book that is, in the reading far more complex, than a standard Hardy Boys roaring river mystery. Interestingly, both Pullman and Haddon, never intended their books to be for children. Yet both ended up being wildly successful after being slotted by their publishers, in the children’s fiction category. For children’s fiction shelves are by all accounts , burgeoning, and how ! What’s debatable is who exactly is driving that boom.

Post Potter, it is no longer infra dig or dumbing down to read children’s books. More and more adults are doing exactly that – maybe because these books are well marketed, they stand out from the clutter and are exceedingly well written. They feature powerful and very primeval stories that engage with the always fascinating metaphysical confrontations of good and evil. Harking back to days when, crossovers’ ancient predecessors , ‘The Arabian Nights’, ‘The Odyssey’ or ‘The Mahabharata’, enthralled all ages in the telling . Or even their modern day variations that work so successfully at various levels. Lewis Carroll, Roald Dahl, Tolkien and CS Lewis . Rushdie in that delightful children’s tale of ‘Haroun and the Sea of Stories’. I loved reading it out to my six year old who delighted in the action of Haroun on a boat in a lake, while I marvelled at Rushdie’s scrumptious satire as Snooty Buttoo speaks through the Mists of Misery, on the Dull Lake, in the Valley of K. A great story - but not one you’d find the average child reader rushing off into a cosy corner with.


This appeared in the Sunday Times of India Bookmark page 5 th Feb 2006